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专辑英文名: Acoustic Bossa Nova
专辑中文名: 波萨诺瓦不插电
歌手: Ida Landsberg
音乐风格: 爵士
资源格式: FLAC
发行时间: 2013年
地区: 美国
语言: 英语
概述:
专辑介绍:
儘管一般波萨诺瓦专辑都以简单不插电吉他的演奏形式进行,但回顾过往的记录,令人惊讶的这数量还是相对的小。。。而事实上对歌手艾达兰茨贝格而言,可以毫不含糊的说,其独树一格的不插电波萨诺瓦绝对会有让人耳目一新的惊艳。
Despite the fact that bossa nova is often composed and played on a guitar the number of acoustic bossa nova albums produced presently, as in the past, are surprisingly relatively small in number. It is possibly due to this fact, that singer Ida Landsberg could release her album titled “Acoustic Bossa Nova,” without the worry of ambiguity. Safe to say there is no ambiguity from a musical aspect either; Ida Landsberg sounds like no one else on this record.
Ida Landsberg (vocals)
Simone Salvatore (guitar)
A selection of some of the greatest rock and pop hits rearranged in an acoustic bossa nova key.
Acoustic Bossa Nova
As the acoustic nature of the album provides it with a theme already, the song selection was allowed to be a varied one. Several popular songs from artists of all times and genres were covered, though there does seem to be a focus on nostalgic songs from the pre 90’s era. Different moods are also explored throughout the album.
Simone Salvatore’s skillful playing ensures that the absence of other musical instruments is not missed. His virtuoso moments are impressive and well adopted to the specific songs. As well, he provides enough variety to ensure that the background never gets repetitive. Ida sounds comfortable on each track and has the controlled subtlety needed to sing bossa nova. These qualities ensure that the album is a pleasant one and Ida’s modest charisma makes the experience more memorable
This quality is brought out on several occasion such as when Ida tones down the 80’s cult classic anthem “Maniac”. Whereas the original was a pulsating song that became synonymous with aerobic work outs, this version is what would be played after the exercise. The aggressive examinations are replaced with a softer approach but not one lacking in energy. She manages to be colorful in expression while always sounding in control and the same can be said about a number of songs on the album.
Ida Landerg’s choice to make an album from an unusual combination of songs is one that pays off. Most of the tracks on the album have rarely, if ever, been done in the bossa nova style and the decision to make the whole album an acoustic one is just as unique as it is effective.
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