Lise de la Salle -萧邦: 叙事曲/ 钢琴协奏曲第2号(Chopin- Ballades, Piano Concerto No.2)[FLAC]

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资源信息： 专辑英文名: Chopin- Ballades, Piano Concerto No.2 专辑中文名: 萧邦: 叙事曲/ 钢琴协奏曲第2号 艺术家: Lise de la Salle 古典类型: 全集作品 资源格式: FLAC 发行时间: 2010年08月31日 地区: 美国 语言: 英语 概述:

专辑介绍: Chopin: Ballades & Piano Concerto No. 2 萧邦: 叙事曲/ 钢琴协奏曲第2号 产品条码： 0822186052150 产品编号： V5215 发行公司： NAIVE [发行商品] 发行日期： 2010年01月01日 产品制造地： 欧美 . 发行类型： CD . 古典 . 协奏曲 . 钢琴 . 乐团 . 内装片数： 1片 Cat#: V5215 Special Recommend CHOPIN Ballades, Piano concerto no.2 萧邦: *第２号钢琴协奏曲(实况录音) / 四首叙事曲 Naive Artist: Lise de la Salle 钢琴 Details: 当今法国最佳人气天才钢琴美少女, 演绎清新婉约; 同获欧洲各国音乐传媒一致好评 Hifi 音响 292 期 | 德拉莎耶萧邦叙事曲及第二钢协 Posted on September 13, 2010 萧邦：四首叙事曲 萧邦：F 小调第二钢琴协奏曲，作品 21 德拉莎耶（钢琴） 雷西指挥德累斯顿国家交响乐团 Naïve V5215 DDD: 77’17” 美少女德拉莎耶 (Lise de la Salle) 第五张在 Naïve 的大碟，封面还是用她的超大头照片。2002 年第一次与这法国形格品牌合作，那时她只有 14 岁，唱片在 2003 年推出，封面的样子绝不像个小孩。七年以后，怎么样子没有长大过一样的？青春逼人，绝对是卖点！ 她弹的萧邦，却绝不是小妮子的柔情款款。虽然，她的演绎有着挺主观的选择。第一叙事曲与第四叙事曲，都比很多版本长：第一要 11 分 14 秒，第四要用上 13 分 54 秒。她把好些抒情较缓慢的段落，用上更慢的速度；开首的中板，与不一会出现的 agitato，速度对比可谓非常夸张。第四的主旋律用的是原来的「带动感的行板」，德拉莎耶取的速度亦偏向慢，亦採用很多细致的速度调节。速度上的变化虽然夸张，但她似乎并不是以此令乐曲更具戏剧效果或更情绪化，这尤其是对第一和第四而言，乐曲都有变成大喜大悲的潜能。反而，段落被拉长，像缓缓沉思，对这颗音符如何引到下颗音符，都细味品嚐一番；不论那是沉淀在沉海的长音、寂静无声的延长、还是快速奔跑的低音，她都想将音符清清楚楚的弹出来。再加上德拉莎耶清晰分明的旋律线和轻巧的触键，有意无意地将潜藏的音乐细节，优雅地展现出来，令她的演绎别树一格之餘，亦有相当强烈的新鲜感。听萧邦能听出如此新鲜的感觉，是难能可贵的经验。 虽然，她以极其个人、自由而多变的速度，掌握着音乐的呼吸脉搏，有时效果很理想、叫人陶醉，但也有些时候令我感到窒碍呼吸般。这倒是有点与个人的习性有关了，譬如乐曲造句时，有时句尾拉长，拖拉而犹豫不决，会令我感到不爽。不过，既是具个性的解读，就是尝试挑战已形成的偏执，而这位年轻女钢琴手优秀的音乐感，令她的解读很具说服力的。 德拉莎耶弹的萧邦第二钢协，风格则较为大眾化了，其独特的理解与个性，只在细节罅隙中渗透出来。当中不乏细致的速度变化，乐队和指挥雷西都很自然地配合了。这个搭挡，可谓是协奏曲独奏与乐团互动的典范了。协奏曲是实况录音，但录音却像录音室般清洁无瑕，而且极之透明，钢琴琴音亦份外晶莹。即使家中已有过萧邦叙事曲或协奏曲录音，这也是值得一听的版本。[暑狐] Posted in CD 评, 《Hifi 音响》文章 | Tagged Frédéric Chopin, Lise de la Salle, naïve, Piano Release Date August 31, 2010 Duration 01:18:22 Genre Classical Styles Keyboard Concerto 法国女钢琴家德拉萨勒（Lise de La Salle，1988-）在Naïve又有新片推出，她在义大利籍指挥法比欧路易西（Fabio Luisi，1959-）带领德勒斯登国立管弦乐团的伴奏下演出萧邦第2号钢琴协奏曲，这个录音录於2009年9月，专辑中还搭配德拉萨勒今年灌录的萧邦《叙事曲》。 现在，对一些新人新盘的期待，我早就不寄望传统的所谓五大唱片公司，反而是独立厂牌会有令人惊艳的录音。这张专辑，天才美少女当然是焦点，法比欧路易西和德勒斯登国立管弦乐团则是另一个卖点，唱片公司的宣传稿说，德拉萨勒弹得热情且具深度，受到法比欧路易西得极力讚赏，确实令人有一种购买的衝动，问题在於价格，Naïve的高单价，一直是买他们家唱片最大的Bug。 Review by James Manheim [-] France's Naïve label has heavily promoted the career of the young pianist Lise de la Salle, who was 22 when this recording was made. Her fashion-spread good looks fit with Naïve's design concepts, and she has the ability to deliver the spontaneous, unorthodox performances the label favors. How does she fare in a field extremely crowded with Chopin recitals? Her performances certainly aren't derivative of anyone else, and this live recording from the Semperoper in Dresden (you get a one-minute track of just applause at the end) has a good deal of attention-getting flair. The standout feature of De la Salle's performance, in the four ballades at least, is her orientation toward slow tempos, inventively deployed. The ballades are somewhere between moderately slow and much slower than normal, but De la Salle is not trying to create a deliberate mood. Instead the operative adjective is "dreamy." She applies a good deal of rubato in the quieter passages, and against this backdrop the big tunes emerge as bright colors flitting across the landscape -- as dreams of the sun, perhaps -- rather than as lyrical anchors of the music. De la Salle does not lack power, but she applies it sparingly and explosively. It's undeniably an odd treatment of the ballades, but it's quite absorbing, and hearers' reactions may well be as idiosyncratic as the readings. The Piano Concerto No. 2 in F minor, Op. 21, is more conventional and benefits from sensitive accompaniment from the Staatskapelle Dresden under Fabio Luisi. Naïve's live production values are very high. Orchestra: Staatskapelle Dresden Conductor: Fabio Luisi Composer: Frederic Chopin Audio CD (August 31, 2010) SPARS Code: DDD Number of Discs: 1 Label: Naive ASIN: B003FONYO2 The young French pianist Lise de la Salle's new project is one of the event releases of the Chopin bi-centenary year, a recording which couples the famous Four Ballades for solo piano with a live performance of the Second Piano Concerto, performed with one of the best orchestras of the time, the Staatskapelle Dresden, under its former principal conductor Fabio Luisi. In 2007 the Staatskapelle Dresden was awarded ‘Prize of the European Culture Foundation of the Word’s Musical Heritage’ - the only orchestra in the world ever to have been so honoured. In December 2008, it was selected, as so often in the past, as one of the world's top ten orchestras - this time by Gramophone. The British magazine has also been fulsome in its praise of the pianist: “Lise de la Salle is a talent in a million.” Lise de la Salle, born in 1988, began studying the piano aged four, gave her first concert at nine, and made her debut with orchestra in Beethoven’s Second Concerto at 13. Since 2001 she has pursued an international career that has taken her to such venues as the Berlin Philharmonie, the Hollywood Bowl, Metropolitan Art Space in Tokyo, Amsterdam Concertgebouw, Théâtre des Champs-Élysées in Paris and the Wigmore Hall in London. At the age of 14, her first recording (Ravel, Rachmaninov) marked the start of her collaboration with Naïve. In 2004, her second album (Bach, Liszt) was named CD of the Month by Gramophone. This was followed in 2007 by a third CD, the First Concertos of Shostakovich, Liszt, and Prokofiev with Lawrence Foster and the Gulbenkian Orchestra, which won the same distinction in Gramophone. In 2008 came a double album of Mozart and Prokofiev featuring a DVD (Lise de la Salle, Majeure!) directed by Jean-Philippe Perrot, which was named Editor’s Choice in Gramophone and BBC Music Magazine Choice.

专辑曲目: 1. Ballade for piano No. 1 in G minor, Op. 23, CT. 2 2. Ballade for piano No. 2 in F major, Op. 38, CT. 3 3. Ballade for piano No. 3 in A flat major, Op. 47, CT. 4 4. Ballade for piano No. 4 in F minor, Op. 52, CT. 5 5. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Maestoso 6. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Larghetto 7. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Allegretto vivace 8. Applause