Alison Balsom -天使号角－现代小号协奏曲(Seraph Trumpet Concertos)[FLAC]

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资源信息： 专辑英文名: Seraph Trumpet Concertos 专辑中文名: 天使号角－现代小号协奏曲 艺术家: Alison Balsom 古典类型: 协奏曲 资源格式: FLAC 发行时间: 2012年02月07日 地区: 英国 语言: 英语 概述:

专辑介绍: 这份录音是小号家鲍尔珊过去所有录音中最有灵感和创意的一份，她为我们带来了一份重量级且具有代表性的小号协奏曲，绝对是可以让平常不听小号的乐迷也必须一听，以便瞭解当代音乐的发展和重要成份。这份录音中最知名的一首曲目，就是俄国现代作曲家阿鲁提乌尼安的小号协奏曲，这首协奏曲虽然是1950年才问世，但是早就已经深受小号迷的欢迎，成为小号史上从海顿以来的第一首经典。这首协奏曲早年因为俄国超技小号家多克西泽（Timofei Dokschitzer）的录音和到处的推广而深印在乐迷的心里，多克西泽也为此曲写出了非常艰难的装饰奏，二十世纪的小号名家，从安德烈、纳卡里亚可夫，甚至古巴的爵士小号手山多瓦（Arturo Sandoval）都录过音，此曲使用了亚美尼亚的民谣素材，因此和哈查督亮的小提琴协奏曲有异曲同工之妙。 这之后鲍尔珊演奏了她亲自改编的美国黑人灵歌「无人知我所见疾苦」，这是要呼应接下来由德国作曲家齐玛曼所写的小号协奏曲「无人知我所见疾苦」，因为齐玛曼就是用这首美国黑人灵歌来影射作曲家眼中所担忧的未来世界灾难。齐玛曼是以歌剧「大兵」在现代乐坛闻名，他的音列主义是二次战后深具代表性的发展，这首协奏曲却很少人知道，值得藉这份录音让大家听到。 片首现代英国作曲家麦克米兰所写的「六翼天使」是特别献给鲍尔珊的全新作品，此曲是由苏格兰合奏团与澳洲柏斯音乐厅联合委託麦克米兰创作的，乐曲引用了萧士塔高维奇描写战争的曲风但逐渐转化为麦克米兰个人知名的现代风格。 至於日本作曲家武满彻的「道路」则是他1994为怀念波兰作曲家鲁托史拉夫斯基所写，这是一首小号无伴奏作品，但是刻意採用了弱音器，因此听来就像有多把乐器演奏一样。 Following the international success of her critically-acclaimed Italian Concertos - about which BBC Music Magazine raved: "listening to it is nothing less than a life-enhancing experience"- trumpet superstar Alison Balsom releases an exciting and important new album of modern trumpet concertos. Entitled Seraph, the album leads with the world-premiere recording of James MacMillan's similarly-named trumpet concerto, a work written especially for Balsom and featuring the exploratory yet accessible compositional style MacMillan has become known for. The album also includes two other concertos: the Trumpet Concerto in A flat major by Alexander Arutiunian - a staple in the repertory thanks to its simple and attractive musical language which incorporates features of Armenian folk music - and Bernd Alois Zimmermann's haunting,impossibly virtuosic Trumpet Concerto in C Major. The disc also features "Paths" by Toru Takemitsu - a solo trumpet piece that combines elements of Eastern and Western musical philosophies, and rounding out the program is a sparse, gripping arrangement of the American spiritual "Nobody Knows," arranged by Tom Foster and Alison herself. Performer: Alison Balsom Composer: Bernd Alois Zimmerman, James MacMillan, Alexander Arutiunian, Toru Takemitsu Audio CD (February 7, 2012) Number of Discs: 1 Label: EMI Classics ASIN: B0063J80TK Alison Balsom ‎– Seraph: Trumpet Concertos - Arutiunian · MacMillan · Zimmermann Label:EMI Classics ‎– 6 78590 2 Format:CD, Album Country:Europe Released:2012 Genre:Classical Style:Modern Performer: Alison Balsom Composer: Bernd Alois Zimmerman, James MacMillan, Alexander Arutiunian, Toru Takemitsu Audio CD (February 7, 2012) Number of Discs: 1 Label: EMI Classics ASIN: B0063J80TK 11 of 12 people found the following review helpful 5.0 out of 5 stars Maintaining a remarkably high standard! 1 Mar 2012 By Prof Zebedee Format:Audio CD|Amazon Verified Purchase Oh yes! Well done Alison Balsom and team. While she perfectly sensibly filled her previous CD releases with many familiar, popular pieces and strong transcriptions often from the baroque and early classical period, this CD is in a different league altogether. It takes some modern compositions that are musically superb, but have remained obscure because they are so darned difficult to play (so a lot of good trumpeters have stayed reluctant to try). Alison took the mature decision to wait until she felt able to add something in her interpretations, which has now paid off in a truly exceptional collection of recordings. The set starts off with the one new piece, written by James MacMillan and dedicated to Alison Balsom. I'm generally not a huge MacMillan fan, as I feel he is often too intense and over-indulgent for my taste; but this three-movement trumpet concerto entited 'Seraph' is really good. Yes, its got MacMillan's trademark big intervals and dissonant structures, but he's given us enough tune to hang our hat on. There are several passages that must have taken every last breath and required extreme practise and precision. It works well, with the trumpet and Scottish Ensemble never at odds with one another. Next is a piece by Toru Takemitsu for solo trumpet, inserted by Alison as a palette-cleanser after the concerto. Takemitsu's piece explores the range of the trumpet, from soft muted phrases to boldness. Like much of his work, it has a beautiful structure and gently touches the heart. Alexander Arutiunian's Trumpet Concerto is full of lively energetic rhythms and calls for huge amounts of virtuosic playing, which Alison delivers by the bucketful. Anybody wanting to hear a modern trumpet concerto that is well structured and tests the mettle of its participants would be well advised to check this out. I love it! Next up is another palette-cleanser, with solo trumpet on the spiritual 'Nobody knows'. This is very tastefully played, with much emotional depth. The final piece is Trumpet Concerto 'Nobody knows de trouble I see' by Bernd Alois Zimmermann. Written in response to the composer's observation of racism in the years immediately after the end of the Second World War, the piece has more technical challenges for the soloist to face, and emerge triumphant. This piece is wonderfully written, but its style was somewhat contrary to the tastes of modernism in vogue at the time it was composed. It deserves another chance and is played exceptionally well. review [-] by Stephen Eddins British trumpet player Alison Balsom has established herself as one of the leading performers on her instrument in the early 21st century. This 2012 album features three modern and contemporary concertos for trumpet. Balsom is phenomenally secure in her technique and in the musicality she brings to each of the pieces. The BBC Scottish Symphony Orchestra, conducted by Lawrence Renes, and the Scottish Ensemble, led by Jonathan Morton, provide colorful and energetic accompaniment. Bernd Alois Zimmermann's 1954 Trumpet Concerto is the standout work on the album. It is certainly one of the most distinguished, substantial, and immediately appealing trumpet concertos of the 20th century. It is subtitled "Nobody knows de troubles I see," and uses the melody of the spiritual as the basis for its sophisticated musical development. Like many of Zimmermann's works, its themes are political and he changed the title from "seen" to "see" to highlight the ongoing struggle for racial equality throughout the world, with pointed reference to the lingering racist attitudes of National Socialism in post-war Germany. It's an intensely dramatic and inventive piece; Zimmermann interweaves the original spiritual with jazz influences and modernist techniques in a way that's emotionally direct and thoroughly engrossing. Balsom negotiates its extreme demands with complete assurance. The Trumpet Concerto in A flat by Armenian composer Alexander Arutiunian, written in 1950, bears the stamp of the Soviet demand that music be immediately entertaining for the proletariat. The concerto is tuneful and uses folk material and for the most part sounds like it could be the soundtrack for an "exotic" adventure film. What it lacks in musical sophistication it makes up for in the opportunities it gives the soloist to really shine melodically. James MacMillan's 2010 concerto Seraph, which Balsom premiered, is an inoffensive but not especially profound work, characterized by pleasant, lyrical note-spinning. EMI's sound is pristine, balanced, and nicely ambient.

专辑曲目: 1. Seraph for Trumpet and String Orchestra: I 4:41 2. Seraph for Trumpet and String Orchestra: II (adagio) 5:11 3. Seraph for Trumpet and String Orchestra: III Marcato e ritmico 5:29 4. 'Paths' for solo trumpet Alison Balsom 6:25 5. Trumpet Concerto in A Flat Major: Andante - Allegro Energico 8:15 6. Trumpet Concerto in A Flat Major: Meno Mosso 3:23 7. Trumpet Concerto in A Flat Major: Tempo 1 3:34 8. Nobody Knows 4:28 9. Trumpet Concerto in C major 14:34