Viktoria Mullova -帕格尼尼：第一小提琴协奏曲，维厄唐：第五小提琴协奏曲 Paganini - Violin Concerto 1 / Vieu

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资源信息： 专辑英文名: Paganini - Violin Concerto 1 / Vieuxtemps - Violin Concerto 5 专辑中文名: 帕格尼尼：第一小提琴协奏曲，维厄唐：第五小提琴协奏曲 艺术家: Viktoria Mullova 古典类型: 协奏曲 资源格式: FLAC 发行时间: 1989年11月26日 地区: 美国 语言: 英语 概述:

专辑介绍： 作曲：Niccolo Paganini / Henri Vieuxtemps 独奏：Viktoria Mullova 协奏：Academy of St. Martin in the Fields 指挥：Sir Neville Marriner 琴坛冰皇后——维多利亚·穆洛娃（Viktoria Mullova） 俄罗斯著名小提琴演奏家 维多利亚·穆洛娃冷艳美丽的外表下掩饰著一种火一般的激情。她总给人冷峻、孤傲的印像，但她的演奏却充满对生命的赞美和热情，音色纯厚甜美，情感质朴自然，富於变化，既有粗獷豪放的男性气质，又有细腻柔美的女性特点。 维多利亚·穆洛娃1959年生於莫斯科，3岁学琴，天资过人。也是前苏联著名小提琴家列奥尼德·柯冈的学生，名师出高徒，16岁获华沙维尼亚夫斯基小提琴比赛第一名，22岁再获赫尔辛基西贝柳斯国际音乐比赛第一名，第二年又摘取柴科夫斯基国际音乐比赛桂冠。三个“大满贯”预示了她以后一帆风顺的音乐道路。她很快离开苏联。1983年和指挥家乔达尼亚在芬兰举行独奏音乐会时，到美国使馆要求政治避难，之后移居奥地利。从此开始了她的国际性演奏生涯。与许多著名指挥家及乐团的合作更使得她的声望迅速飆升。她与飞利浦唱片公司签约录制的大量唱片几乎张张精彩、炙手可热。与小泽征尔、波士顿交响乐团合作的《柴科夫斯基、西贝柳斯小提琴协奏曲》唱片获得法国“唱片大奖”；与马里纳、圣·马丁乐团合作的《门德尔松小提琴协奏曲》唱片获得法国“金音叉奖”；与她的最佳搭档钢琴家卡尼诺合作的《斯特拉文斯基、普罗科菲耶夫、拉威尔的奏鸣曲集》获得荷兰“爱迪生”录音奖。 穆洛娃的演奏在理智与含蓄中蕴涵著内在的激情，更难得的是她在演奏中时而显现的罕见爆发力。让人强烈感觉到她的表面冷峻、气质孤傲，内心却充满非凡的激情，在她纯净甜美的音色中饱含著的火热。而且她总有一种属於她自己的表达作品的方式，并用她的真情让人“忘我”地跟著她的旋律一直走下去。1723年出品的斯特迪瓦里小提琴和她个性十足的演绎，往往能够成为她每个演奏最动人的“娇点”。 在我们听这张《帕格尼尼D大调第一小提琴协奏曲，维厄唐a小调第五小提琴协奏曲》的时候，穆洛娃是柯冈的学生甚至於她是帕格尼尼演奏专家等都已不重要，她的演奏，洋溢著难得的高贵气质，节奏、分句、层次都处理得极为精致。维厄唐的《a小调第五小提琴协奏曲》自海菲兹之后，很难找到具有说服力的詮释，穆洛娃是可贵的、有说服力的版本。她的演奏在第一乐章和柔板乐章婉约迷人的浪漫主题时 显得格外细腻柔美。简短的终曲也是那般的热情奔放。 Biography Russian-born Viktoria Mullova is a violinist primarily known for her great virtuosity and a wide-ranging repertory that includes many crossover pieces. On the serious side, she has been praised for her interpretations of various solo works by J.S. Bach, including partitas and sonatas, as well as her readings of concertos by Brahms, Prokofiev (No. 2), Shostakovich (No. 1), and Sibelius. Her forays into more popular realms have included pieces by the Beatles, Miles Davis, and Duke Ellington. Over the years Mullova has developed a reputation for her highly individual interpretations and for her deft sense to communicate with her concert audiences. She has also grown to favor the use of historically correct instruments and practices. Mullova has made numerous recordings for many labels, including Decca, Philips, DG, ArtHaus, and Onyx. Mullova was born in Moscow on November 27, 1959. She studied music at the Central Music School of Moscow, where her most important teacher was Volodar Bronin. She later studied with violin virtuoso Leonid Kogan at the Moscow Conservatory. Mullova had a meteoric rise owing to spectacular wins at two major competitions: in 1980 she took first prize at the Jean Sibelius International Violin Competition and two years later won the Tchaikovsky International. The following year she defected to the United States, but would eventually settle in England. In the 1980s she made a number of highly successful recordings for Philips, including her first, with Seiji Ozawa and the Boston Symphony Orchestra, which paired the Tchaikovsky and Sibelius concertos. She soon followed that success with another (1988) containing the Prokofiev Second and Shostakovich First, with André Previn and the Royal Philharmonic Orchestra. By the end of that decade she had appeared to great acclaim with many of the most important orchestras and conductors in the U.S., Europe, and Far East. In 1994 she founded the Mullova Chamber Ensemble, a group that quickly achieved international renown. After Mullova married her husband, cellist Matthew Barley, she developed an interest, through him, in jazz and other popular styles of music. In 2000, taking inspiration from a series of popular music concerts she gave on tour, Mullova made a recording for Philips entitled Through the Looking Glass, on which she performed music by Davis, Ellington, George Harrison, and other non-classical figures. Among Mullova's recordings is the 2007 release on Onyx of J.S. Bach sonatas. ~ Robert Cummings, Rovi 5.0 out of 5 stars Sensational Performances from Viktoria Mullova, 2 Aug 2011 By Phil in Magnolia - Published on Amazon U.S. This review is from: Paganini - Violin Concerto 1 / Vieuxtemps - Violin Concerto 5 (Audio CD) These performances, from a Viktoria Mullova who was in her late 20's at the time (recorded in February, 1988), are wonderful to listen to. Gramophone Magazine, in their review of this recording (October, 1989), had the following comments: To the Vieuxtemps No. 5: "But with Mullova--who, we were told, has been playing the work since she was 12 (!)--there is an immediate air of authority: as expected in a work designed for a star player, she dominates the scene, though she is sturdily and alertly sustained by excellent orchestral playing (the opening has an electric dramatic charge), and she brings a level of great intensity to her cantilena in the Adagio." To the Paganini No. 1: "Mullova yields nothing to Accardo in security, stylistic understanding or, when called for, lightness of tone (her final rondo is a joy); and the almost imperious determination of her first entry makes one sit up (and also seems to have fired the timpanist's assertiveness). This is a quite sensational performance, confirming Mullova as one of the most exciting violinists of our day." For myself, they are simply fabulous performances to enjoy. I'm publishing this review even though the disc is currently unavailable, because I think that this should continue to be a desirable choice for these concerto's. The performances were recorded in 1988.

专辑曲目: Paganini – Violin Concerto No.1 D-dur, Op. 6 01. Allegro maestoso (Cadenza: Sauret) 02. Adagio 03. Rondo (Allegro spiritoso) Vieuxtemps – Violin Concerto No.5 a-moll, Op. 37 04. Allegro non troppo 05. Adagio 06. Allegro con fuoco