P!nk -Can t Take Me Home[iTunes Plus AAC]

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资源信息： 专辑英文名: Can't Take Me Home 歌手: P!nk 别名: 粉红女郎 音乐风格: 流行 版本: [iTunes Plus AAC] 发行时间: 2000年04月04日 地区: 美国 语言: 英语 概述:

唱片公司: 1999, 2000 LaFace Records LLC 音乐

类型: Pop, Dance, R&B/Soul, Pop/Rock, Teen Pop

压缩比率: 256K iTunes Plus AAC 相关链接: iTunes 专辑介绍： 正版iTunes Plus AAC (256Kbps).若想了解AAC格式音频.请点我跳转. 这位留着亮丽粉红色短发，一身酷炫装扮的新世代辣妹Pink，有着菲律宾的血统，却在法国尼斯举办的超级模特儿选秀表演会上，一鸣惊人，而为唱片公司发掘，并成为新世代酷炫乐团TLC的师妹，但不同的是，虽然有着类似的外表，但除了酷似TLC以重节奏的Hip-Hop舞曲为主外，Pink更唱出足以和 Janet Jackson、Toni Braxton媲美的节奏蓝调情歌，尤其在转音和浑厚的嗓音运用上，也令人惊讶不已，是以让LaFace将其视为年度秘密武器。 《Can‘t Take Me Home》这张Pink的首张个人专辑，请来全美当红的制作人Babyface(Boyz II Men、Toni Braxton、Mariah Carey)，以及Arista新任总裁LA Reid(Boyz II Men、Babyface、Aretha Franklin)监制，除可见公司对她的重视，更是音乐品质的保证，此外，这张融合R&B、Hip-Hop、Ballads 的精采大作，首支单曲“There You Go”业已登上Billboard的单曲榜Top 15，并迅速爬升中，其余如令人想到TLC的Hip-Hop劲曲“Hello Wit Ya”、“You Make Me Sick”，慢板的R&B情歌“Love Is Such A Crazy Thing”、“Do What U Do”等，都在在宣示，另一位明日巨星的诞生。 粉红姐第一砖，怎可错过！风格与现在有很大不同哦！ 引用(iTunes Review) It may be hard to listen to Pink's debut album Can't Take Me Home without hearing TLC, specifically their 1999 album Fanmail. After all, L.A. Reid and Babyface were the executive producers for both albums, and they decided to use a skittering, post-jungle rhythm for the bedrock of these savvy, club-ready dance-pop productions — a sound exploited expertly on TLC's record. If Can't Take Me Home pales next to Fanmail, it's not Pink's fault, nor is it because the album is sub-par; it's simply because it follows in the footsteps of a record that's as close to a modern classic as contemporary soul gets. Judged as its own entity, Pink's debut is quite strong, even if it isn't perfect. The production is masterminded by Babyface and LA Reid, who oversee such producers as Kevin "She'kspere" Briggs, Terence "Tramp-Baby" Abney, Daryl Simmons, and Tricky (not to be confused with the dark trip-hop genius, of course), and throughout this album, their work sparkles, from the deft layers of drum machines to the sultriness of the slow grooves. For the most part, Pink's performances match that production — she may not be able to deliver ballads with assurance and soul just yet, but she never over-sings. She also not only has an appealing voice, but displays a fair amount of chops. So, with the production and performances in place, that leaves just the songs. While there are no bad cuts on Can't Take Me Home, there aren't any knock-out punches, either. They're all fairly well-crafted, but they're more ingratiating than immediate, and if dance-pop should be anything, it should be indelible upon at least the second listen, if not the first. Many of the songs on Can't Take Me Home need a few spins before they truly sink in, which is a bit unfortunate. Still, it's not the worst situation in the world, either, especially since a lot of the tunes actually do make an impression with repeated plays. So, Can't Take Me Home doesn't really escape many of the pitfalls of a debut, but thanks to LA Reid and Babyface's production and Pink's engaging talents, it's a promising first effort all the same. 歌曲试听: ♪ 03. Most Girls【推荐】

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