Queyras, Casado -舒曼：大提琴协奏曲、第一号钢琴三重奏(Schumann_eD2k地址_古典音乐_音乐下载

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资源信息： 专辑英文名: Schumann - Cello Concerto, Piano Trio No. 1 专辑中文名: 舒曼：大提琴协奏曲、第一号钢琴三重奏 艺术家: Queyras, Casado 古典类型: 合唱 资源格式: FLAC 版本: [24 bits 96 KHz] 发行时间: 2016年04月01日 地区: 美国 语言: 英语 概述:

专辑介绍: 舒曼：大提琴协奏曲、第一号钢琴三重奏 (奎拉斯 / 梅尼可夫 / 佛斯特)　Schumann：Cello Concerto in A minor、Piano Trio No. 1 (I.Faust,violin / A. Melnikov, fortepiano / J-G. Queyras, cello) Harmonia Mundi旗下三位台柱——佛斯特、梅尼可夫、奎拉斯，在某次巡迴演奏舒曼的三重奏作品80时，萌发录制舒曼小提琴、钢琴与大提琴协奏曲的录音计画。继小提琴协奏曲（HMC902196）与钢琴协奏曲（HMC902198）相继发行之后，大提琴协奏曲终於在眾多爱乐者的引颈期盼下出版，为这个盛大的录音计画划下完美的句点。 舒曼的《A小调大提琴协奏曲》（作品126）是他定居杜塞道夫后，所写下的第一个作品。1850年，担任杜塞道夫教堂乐长的指挥家费迪南·希勒（舒曼1845年的钢琴协奏曲便是为他所作）在科隆获得同样的工作，希望舒曼能够接替他的职务。舒曼拗不过希勒的要求，离开故乡萨克森王国，来到杜塞道夫。舒曼与妻子以及六个小孩蜗居在街角的小公寓中，对居住环境十分不满意，而他又要在毁誉掺半的乐评声浪中，为即将到来的音乐季做準备，然而擅於时间管理的舒曼，仅花了三个礼拜的时间完成这部作品。 这部大提琴协奏曲很多方面来看，都充满谜样的色彩。首先，舒曼写完此曲后，并没有指定该由何为演奏家演出，而且乐谱於1854年出版后，却被当时许多音乐家嫌弃，让身心状况已经很不好的舒曼陷入低潮，却也间接激发他的创作能量，写下小提琴协奏曲，希望能藉此引起姚阿幸的注意。另一方面，本曲乐章与乐章间并无间断，而短暂的主题不断在乐曲中重复出现，逐渐发展，在不知不觉中呈现出丰富的情绪变化，而且在大部分的乐段中，乐团演奏退居幕后，让大提琴拥有充裕的发挥空间。这首协奏曲犹如奏鸣曲与幻想曲的融合，隐隐约约中预示崭新的音乐形式即将来临。 在大提琴协奏曲之后，专辑收录了舒曼於1847年所写下的《第一号钢琴三重奏》（作品 63）。当时的舒曼已觉得自己的从神经衰弱中康复，，舒曼在乐曲中带来各种音色组合的可能性，弦乐演奏比他之前的乐曲更有著奔放自由的性格，然而乐章与乐章之间，或是乐章内的音乐发展，隐隐约约透过相同的主题互相呼应，与他所创作的大提琴协奏曲十分类似。如此富含实验精神的乐曲，彷彿未浪漫主义晚期的作曲风格揭开序幕。 在本专辑中，奎拉斯以技巧精湛又不失细腻音色的演奏，让大提琴发挥出丰富又感性的音色，而佛莱宝巴洛克管弦乐团在艾拉斯—卡萨多的指挥下，为大提琴的旋律提供了温柔的背景。接下来，在《第一号钢琴三重奏》中，佛斯特、梅尼可夫、奎拉斯三人表现默契绝佳，充分挖掘出乐曲中的充沛情绪。两首作品在专辑中并程，更体现舒曼创作的历史脉络，让这张录音更显得意义非凡。 专辑编号： HMC902197 专辑类型： CD+DVD 发行年份： 2016 国际条码： 3149020219720 音乐家： Queyras, Jean-Guihen (cello)　尚-古汉．奎拉斯 (大提琴) Faust, Isabelle (violin)　伊莎贝拉．佛斯特 (小提琴) Melnikov, Alexander (piano)　亚历山大．梅尼可夫 (钢琴) Pablo Heras-Casado, conductor　帕布罗．艾拉斯-卡萨多, 指挥 Freiburger Barockorchester　佛莱堡巴洛克管弦乐团 音乐厂牌： Harmonia Mundi 库存状态： 有库存 Performer: Jean-Guihen Queyras, Isabelle Faust, Alexander Melnikov Orchestra: Freiburger Barockorchester Conductor: Pablo Heras-Casado Composer: Robert Schumann Audio CD (April 1, 2016) Number of Discs: 1 Format: Import Label: HARMONIA MUNDI ASIN: B01AMFCI2A This final instalment in our trilogy devoted to the complete concertos and trios of Schumann spotlights the cello of Jean-Guihen Queyras. The Cello Concerto, though energetically championed by Clara Schumann, suffered from delays in publication and was not premiered until after the composer’s death. Interpreted in the same poetic spirit as its two predecessors, this third volume concludes an adventure that has changed for ever the way we listen to Schumann. "The idea for this CD project arose during a tour on which we performed Robert Schumann’s Trio Op.80. As passionate admirers of the composer, we conceived the desire to place his works for piano, violin and cello in a broader context and to illuminate them mutually in order to allow listeners to gain a deeper understanding of his music. We soon agreed to play the pieces for this recording on a historical piano and stringed instruments with gut strings, using orchestral forces to match. Thanks to this, we expected our playing to be better balanced, better articulated, and more open-minded. Pablo Heras-Casado and the Freiburger Barockorchester sprang spontaneously to mind as the ideal partners for a project of this kind. And indeed they took up our idea enthusiastically and were keen and irreplaceable fellow-conspirators in the world of Schumann. Our shared journey into the magical world of this incomparable composer will remain with us as an exceptionally intense, happy and fulfilling experience." Isabelle Faust, Alexander Melnikov, Jean-Guihen Queyras Andrew Clements Thursday 21 April 2016 15.00 BST Last modified on Thursday 21 April 2016 22.00 BST Recording schemes that might seem inspired in theory sometimes come unstuck in practice. The idea of Isabelle Faust, Jean-Guihen Queyras and Alexander Melnikov recording Schumann’s three piano trios and pairing them with his concertos for violin, cello and piano, all performed on instruments of the mid-19th century, certainly promised well, but the results have been distinctly uneven. This final disc, though, is easily the most convincing of the set. Queyras gives an intimately conversational account of the Cello Concerto, never turning it into a virtuoso vehicle for its own sake, and persuades the Freiburg Baroque Orchestra under Pablo Heras-Casado to give him equally gentle, refined support. In the D minor Trio, both his and Faust’s supplely expressive phrasing goes a long way towards mitigating Melnikov’s tendency to over-assertiveness, too, though the pianist’s playing is by no means one-dimensional and he conjures some delicate, silvery sonorities from the 1847 Streicher instrument that he has used throughout the series.

专辑曲目: 01. Robert Schumann: Cello Concerto in A minor, op. 129 - Nicht zu schnell 10:42 02. Robert Schumann: Cello Concerto in A minor, op. 129 - Langsam 4:04 03. Robert Schumann: Cello Concerto in A minor, op. 129 - Sehr lebhaft 7:56 04. Robert Schumann: Piano Trio No. 1 in D Minor, Op. 63 - Mit Energie und Leidenschaft 12:29 05. Robert Schumann: Piano Trio No. 1 in D Minor, Op. 63 - Lebhaft, Doch nicht zu rasch 4:56 06. Robert Schumann: Piano Trio No. 1 in D Minor, Op. 63 - Langsam, mit inniger Empfindung 6:21 07. Robert Schumann: Piano Trio No. 1 in D Minor, Op. 63 - Mit Feuer 8:24