Ermanno Wolf-Ferrari -沃尔夫-费拉里：狡猾的寡妇 La vedova scaltra Sollied Bonde-Hansen Mazzo

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资源信息： 专辑英文名: La vedova scaltra 专辑中文名: 沃尔夫-费拉里：狡猾的寡妇 艺术家: Ermanno Wolf-Ferrari 资源格式: APE 版本: Sollied,Bonde-Hansen,Mazzola 发行时间: 2004年 地区: 意大利 语言: 意大利语 概述:

作曲：Ermanno Wolf-Ferrari 演出： Rosaura,vedova di Stefanello dei Bisognosi...........Anne-Lise Sollied,soprano Milord Runebif,inglese............................................Frank Leguerinel,baryton Monsieur Le Bleau,francese...................................Giorgio Trucco,tenor Don Alvaro di Castiglia,spagnolo............................Jonathan Veira,basse Il conte di Bosco Nero,italiano................................Francesco Piccoli,tenor Marionette,francesse,cameriera di Rosaura...........Henriette Bonde-Hansen,soprano Arlecchino,cameriere di locanda.............................Evgueniy Alexiev,baryton Birif,cameriere di Milord..........................................Gilles Hubert,basse Folletto,Lacche del Conte.......................................Nicolas Todorovitch,tenor Un servo.................................................................Olivier Thierry,baryton Orchestre National de Montpellier Choeur de l'Opera National de Montpellier Chef de choeur/Chorus master > Christophe Talmont Assistant chef d'orchestre/Conductor assistant > Juraj Valcuha Direction - Enrique Mazzola Duree totale:2 heures 3 minutes 31 secondes Chante en italien/sung in italian Enregistrement en concert/Live recording:avril 2004 - Opera de Montpellier Directeur artistique/Artistic director > Rene Koering 发行：ACCORD 2CD 476 2675 资源出处(Credit)：原发 专辑介绍： 现代的歌剧 现代的作曲界，一般来说都是各种各样倾向混合存在的。与此相同，歌剧作品也显示了这种复杂情况，简单地分类是不可能的。不过从概念上可以大致分成以下各种倾向来观察。 首先可以举出作为完全体现现代派特点的无调性主义的倾向。其中贝尔格(Berg,Alban 1885-1935)的《沃采克》就是在歌剧这样大型的作品中，有效地使用了无调性手法，显示出惊人的表现力，而堪称为一部杰作的作品。在这里特别值得人们注意的一点，就是纯粹器乐的布局，能够同整个剧情的展开相一致。使用无调性风格发展的十二音音乐手法所写成的歌剧，还有贝尔格的《璐璐》和勋伯格（1874-1951）的作品等。第二次世界大战后，达拉皮科拉(Dallapiccola,Luigi,1904-1975)和亨策(Henze,Hans werner,1926- )的很多作品，在现代史很引人注目的。 为了打开现代歌剧的僵局，在使用如上所述的新手法的同时，当然会存在着回到旧形式上去的尝试。沃尔夫·费拉里(Wolf-Ferrari,Ermanno,1976-1948)就是由于他使意大利喜歌剧恢复了近代的形式，为内容上向真实主义派一边倒的意大利歌剧提供了喜剧性的作品。同时还出现了许多所谓新古典主义倾向的歌剧，斯特拉文斯基的《浪子的历程》(The Rake's progress)和欣德米特的《画家马蒂斯》(Mathis der Maler)等，在形式上虽然各不同，但都属于新古典主义的作品。作为对后期浪漫派和近代音乐的复杂繁琐的反动，可以举出卡尔·奥尔夫(Orff,Carl 1895-1982)的舞台作品。 但是，现代大部分作曲家，似乎都不是只偏执于某一种主义，而是为了创作出更有效果的舞台艺术，在自己的作品中，吸收着各个流派的技巧方法和形式。梅诺蒂的很多作品，就是把各种各样的形式，巧妙地进行了折衷。英国的布里顿和瑞士的苏特迈斯特(Sutermeister,Heinrich 1910- )等人，都是在不极端偏重于某一种倾向的情况下，写出了成功的歌剧。 另外，现代世界各国，还开始出现了一种在某种意义上来说同以往的异国情趣和民族乐派有所不同的、具有人民性特色的作品。（张弦编译） （张弦、徐国弼、申文凯、安绍石译《西洋歌剧名作解说》人民音乐出版社） 《机警的寡妇》(Cunning Widow,The 英；Vedova Scaltra,La 法）三幕歌剧，沃尔夫·费拉里作。1931年3月5日首演于罗马。马里奥·吉沙帕蒂根据戈多涅同名歌剧改撰脚本。 时间：18世纪。地点：威尼斯。 剧情梗概：故事主要描述四位绅士追求一位名叫罗莎拉（女高音）的寡妇时所表现出的民族特征。罗莎拉先说服一个追求者阿列钦诺（男中音）去对付另一个追求者，她没能挑出一个中意的。决定把自己婚姻许给一个最有恒心，并将真挚的爱奉献给她的追求者，然后她装成一个容易被人征服的女人。这样，她收到法国布莱奥主教（男高音），凶恶的西班牙贵族唐·阿尔戈鲁（男低音）和严肃古板的英国人米洛德（男低音）三人呈现给她的爱情信物。唯独意大利公爵波斯康纳洛（男高音）没有向她轻率地追求。罗莎拉已明白应该选中谁，于是把设计谋收到的信物全部退还本人，嫁给了那个意大利人。 （《外国歌剧荟萃》朱德九 蒋晓苏编译 明天出版社） Ermanno Wolf-Ferrari (born Ermanno Wolf) (Venice, January 12, 1876 – Venice January 21, 1948) was an Italian composer. He is best known for his comic operas, I quattro rusteghi (1906) and Il segreto di Susanna (1909). A number of his works were based on plays by Carlo Goldoni, including Il campiello. Life Ferrari was his mother's maiden-name, which he added to his own surname in 1895. His father was a painter, and sent Ermanno to Rome to study art. From there he went to Munich, and it was while there that he decided to concentrate instead on music, taking lessons from Josef Rheinberger. He wrote his first works in the 1890s. In 1900, having failed to have two previous efforts published, Wolf-Ferrari saw the first performance of one of his operas, Cenerentola, which was given in Venice. This was a failure at its premiere, although a later performance in Bremen was a success, setting a pattern for his later work, much of which was premiered in Germany and was received a good deal better there than it was in his native Italy. Among these works are Le donne curiose (1903), I quattro rusteghi (1906), and Il segreto di Susanna (1909), all of them comedies, and all of them successful at their German premieres. With the outbreak of World War I, Wolf-Ferrari moved to Zürich and composed much less, though he still wrote another comedy, Gli amanti sposi (1916). He did not really pick up his rate of output until the 1920s, when he wrote Das Himmelskleid (1925) and Sly (1927), the latter based on William Shakespeare's The Taming of the Shrew. In 1939 he became professor of composition at the Mozarteum in Salzburg. In 1946 he moved again to Zürich before returning to Venice. He is buried in the Venetian cemetery island of San Michele. Music As well as his operas, Wolf-Ferrari wrote a number of instrumental works, mainly at the very beginning and very end of his career. Only his violin concerto has ever been performed with anything approaching regularity, though he also wrote Idillio-concertino (essentially a chamber symphony), various pieces of chamber music including a piano quintet and two piano trio, two violin sonatas and a number of works for the organ amongst others. Wolf-Ferrari's work is not performed very widely, although he is generally thought of probably the finest writer of Italian comic opera of his time. His works often recall the opera buffa of the 18th century, although he also wrote more ambitious works in the manner of Pietro Mascagni, which are thought of less well. Much of his work has been ignored, although a performance in 1999 of Sly by the Washington National Opera (the work's American premiere) marked something of a revival of interest in his works. Works of Ermanno Wolf-Ferrari Opera Cenerentola - 1900 Le donne curiose - 1903 I quattro rusteghi - 1906 Il segreto di Susanna - 1909 I gioielli della Madonna (The Jewels of the Madonna) - 1911 L'amore medico 1913 Gli amanti sposi - 1916 Das Himmelskleid - 1925 Sly - 1927 La vedova scaltra - 1931 Il campiello - 1936 La dama boba - 1939 Gli dei a Tebe - 1943 http://www.wiki.cn/wiki/Ermanno_Wolf-Ferrari 歌剧脚本根据歌尔多尼同名喜剧改编，剧本有中译 其一种收在：《老顽固——哥尔多尼喜剧集》蔡蓉 吕同六译 花城出版社 2005年5月版 可参看 专辑曲目: CD1:Atto/Acte/Act/Akt I 01. Milord,Moniseur,Don Alvaro,Conte (Damigella bruna) [0:01:56.36] 02. Arlecchino,Conte,Don Alvaro,Monieur,Milord (Bevilo,godilo) [0:04:54.53] 03. Marionette,Rosaura (Et comme ca j'ai fini) [0:05:14.63] 04. Arlecchino,Marionette,Rosaura,Milord (Con grazia,se pol entrar?) [0:06:26.28] 05. Conte,Milord,Rosaura,Marionette (I miei complimenti) [0:05:35.46] 06. Monsieur,Marionette (Oh!Marione!) [0:02:27.33] 07. Rosaura,Monsieur (Ma...Monsieur...) [0:06:23.10] 08. Rosaura,Coro,Marionette,Don Alvaro,Servo (Ma che son questi suoni?) [0:04:58.46] Atto/Acte/Act/Akt II 09. Monsieur,Arlecchino (Arlecchino!) [0:02:41.55] 10. Conte,Folletto,Milord,Arlecchino (Rosaura s'e sdegnata) [0:02:33.62] 11. Don Alvaro,Arlecchino (Galantuomo?) [0:02:48.68] 12. Rosaura,Marionette (Nella notturna selva) [0:05:16.32] 13. Rosaura,Arlecchino,Marionette (Bravo,bravo,non t'affaticare) [0:04:49.63] 14. Folletto,Roasura,Marionette,(Servo umilissimo di Vossignoria illustrissimi) [0:03:05.37] 15. Rosaura,Marionette,Birif (Giusto cielo!chi e questo?) [0:01:25.70] 16. Arlecchino,Rosaura,Marionette (Guardi il cielo molt'anni,Donna Rosaura) [0:05:46.23] 17. Conte,Milord,Folletto,Birif (E non vuole parlare) [0:04:18.16] duree totale:70'45 CD2 01. Don Alvaro,Arlecchino (O Rosaura non sa le convenienze) [0:05:17.10] 02. Monsieur,Arlecchino (Questa parrucca pero,acconciata non e comme il faut) [0:05:16.62] 03. Marionette,Arlecchino (Monsieur Arlecchino che fate voi?) [0:02:21.46] 04. Marionette,Coro,Arlecchino (Ah!furfantaccio senza creanza!) [0:03:31.05] Atto/Acte/Act/Akt III 05. Rosaura,Marionette (Ascola,Marione,il mio progetto) [0:01:59.53] 06. Monsieur,Don Alvaro,Arlecchino (Io dunque l'albero son d'una casa?) [0:02:26.61] 07. Conte,Milord,Rosaura (Caffe) [0:05:33.72] 08. Don Alvaro,Arlecchino,Monsieur (Monsieur Le Bleau m'e fuggito) [0:02:37.01] 09. Rosaura,Monsieur,Don Alvaro (Ah!no,Monsieur,Monsieur,che fate?) [0:02:26.45] 10. Monsieur,Don Alvaro,Rosaura (E non posso seguirla?) [0:06:34.49] 11. Conte,Arlecchino,Rosaura,Marionette (Che vai dicendo,che non t'intendo?) [0:05:12.44] 12. Coro di invitati,Marionette,Conte,Monsieur,Milord,Don Alvaro,Rosaura (Nel palazzo di Rosaura una festa straordinaria) [0:05:36.72] 13. Tutti (Al Conte poi...che tanto acerbamente tratta le mascherine) [0:03:53.53] duree totale:52'50