Various Artists -伟大作曲家 贝多芬(The Very Best of Beethoven)[2 CD][FLAC]

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资源信息： 专辑英文名: The Very Best of Beethoven 专辑中文名: 伟大作曲家 贝多芬 艺术家: Various Artists 古典类型: 全集作品 资源格式: FLAC 版本: [2 CD] 发行时间: 2005年10月02日 地区: 美国 语言: 英语 概述:

专辑介绍: 贝多芬（Ludwig van Beethoven），波恩人也，一七七零年十二月十七日生。祖籍荷兰，后迁德意志。父为男高音，酗酒成性，母为宫廷御厨之女。 年四岁，父欲其才成，强之练琴。八岁登臺。年十三，任宫廷乐队羽管键钢琴手。年十七，遇莫扎特於维也纳，明年任歌剧院乐队中提琴手。及冠，求学於波昂大学。毕，赴奥地利首都维也纳，师海顿，才华猛进。年廿五，初登维也纳乐臺，亲奏第二钢琴协奏曲，大成。惜明年渐聋。 年三十三，成第三交响曲予拿破崙。明年拿破崙称帝，贝氏愤而毁序，另书「念一英雄」，亦名《英雄》。后四年，成第五交响曲《命运》。俄而成第五钢琴协奏曲《皇帝》。 一八一五年十一月十五日，弟卡尔歿。贝氏与弟媳争子，得侄。自是四年间，因政乱才尽，遂广收欧洲民谣。年五十四，成第九交响曲，五月七日首演，盛况空前。越明年，侄自杀未遂，贝多芬身心伤。一八二七年三月廿六日，歿於维也纳，年五十七。世称乐圣。 贝氏何以早逝，眾说纷紜。曾有医云浮肿或大疮，然验其髮，铅毒也。是时多瑙河鱼多污，贝氏好食，故鴆。其性躁、腹病皆由於此。 贝氏一生坎坷。幼受父虐，强之习琴，长后母歿，得负家计。耳聋、侄逆、身贫、矌终，贝氏皆顺受。乐乐，从未失其节。曾曰：「扼运命之喉」，尽概其生。传其死前，雷电交加，忽挺身举手，作扼物状。后曰贝氏履其言。 传闻贝氏、歌德并径，有宫轡行至，二人侧，情异然。歌德礼车，而贝氏漠之。后贝氏疑歌德，遂绝交。 贝氏蒙法国大革命甚巨。见於其作，自由、平等、博爱之意历历。如歌剧《费德里奥》一景，眾囚齐歌：「自由兮自由，何时归乎？」，可见一斑。 浪漫主义，亦其所先。以降舒伯特、孟德尔颂、华格纳、舒曼、马勒、理查史特劳斯辈出，多有效尤，浪漫主义告大成。亦首创标题音乐，第六号交响曲更破四章之格，蒙后甚矣。 今日，贝氏音乐演出频仍，灌录如潮，为世所好。所著《第三交响曲英雄》、《第五交响曲命运》、《第六交响曲田园》、《第九交响曲合唱》、《悲愴奏鸣曲》、《月光奏鸣曲》等，并行於世。联合国教科文组织更定《合唱》为人类文化遗产。 This can only be the most cursory of round-ups rather than a proper review. Presentation is simple yet eye-catching. Naxos use John Minnion’s caricatures of the composers. These are full and eloquent of character, eloquent yet clean of line. I have not played every track. In fact most of these sets are still in their cellophane wrappers. I have however sampled two of the ten sets: Puccini and Rachmaninov. The price is what you might expect from sets that comprise favourite movements from larger works. I would guess that all these tracks are sourced from the already humungous Naxos classical back catalogue. I say ‘guess’ because unusually these sets are pretty poor on listing who sings and plays which piece. I have sampled the Puccini and the Rachmaninov. The Puccini Turandot is not specially glamorous but it has a better than good Nessun Dorma and a fine sequence of Boheme excerpts. The Rachmaninov has a grippingly explosive First Symphonic Dance (made me want to hear the whole thing if only I could identify the artists) and Glemser’s measured and then volatile Third Piano Concerto. You can see the game plan: Let’s use only the Naxos catalogue (no additional licensing fees). Let’s pack each CD high and tight though I note that there was still space on the Rachmaninov pair (only 66:37 + 68:11). Let’s include the famous best alongside the not so famous best: in the case f Rachmaninov we get resonant extracts from the Vespers with two sound-bytes from the operas - one each from Francesca and Aleko. Let’s make this a uniform edition: they’ll end up buying more than none if they look good on the shelf. Let’s keep the notes simple but let’s not shy from including some lightly educational material. Let’s include a juicy and catchy quote by or about the composer on the back of each set and add a card-sleeve to give the whole thing a touch of class - which it does. Naxos are not afraid of making links to popular culture so the Rachmaninov sleeve refers to the use of the Second Piano Concerto in the 1940s weepy classic Brief Encounter. The delights of these discs are not completely hedonistic. For example the bold, clean and simple notes include definitions of symphony and sonata and recommendation for further listening - quite naturally from the Naxos catalogue. If you are in the market for a Christmas or birthday present for someone who enjoys the odd piece on Classic FM while listening in the car or doing the housework or keying in data then you could far worse than choosing one or two of these, some gift wrapping and waiting for the right moment to hand over the parcel. Perhaps the set would sit in the car for a while or on the shelf in the kitchen. You however would have the pleasure of knowing that when the set is first played it is likely to open doors of discovery. Rob Barnett Read more: