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数字电影成像和数码后期制作流程工具(ASSIMILATE SCRATCH )V6.1.723 X64[压缩包]

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发表于 2021-8-16 20:55:38 | 显示全部楼层 |阅读模式
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    资源信息:



    中文名


    : 数字电影成像和数码后期制作流程工具


    英文名


    : ASSIMILATE SCRATCH


    资源格式


    : 压缩包


    版本


    : V6.1.723 X64


    发行时间


    : 2012年


    制作发行


    : ASSIMILATE Inc.


    语言


    : 英文


    概述


    :





    ASSIMILATE SCRATCH是最全面的数字电影成像和工作流程的数码后期制作工作流程工具。专为满足独立纪录片导演独特的DI工作流程挑战,以及精品后期制作,划伤汇集播放,符合编辑,调色配光,字幕,合成,并整理成一个单一的,一致的界面,最大限度地提高创造力和生产力。 有数以百计的故事片和纪录片制作依靠SCRATCH,因为它是第一个支持本地的RED和文件,而是因为它是唯一的直接投资工具,它提供了功能的需要,以满足独特的挑战实时质量,支持Mac、支持多层视频轨、网格变型、更强的色彩分级更强的跟踪,性能和广度提出了严格的品质与现实预算。   Scratch是优秀的数字中间片系统,其核心功能包括核心功能包括实时、多分辨率、回放/预览、套对/剪辑、套底、颜色校正、音频拖放、视觉特效(集成Speedsix Monster特效)、数据管理和电影成片,导演、制片可以直接在数字投影上观看更改结果,整个后期制作过程能够保持直观的控制,支持从EDL套对、修剪、VFX、色彩管理到输出不同发行版本等完整的图像处理能力,成为目前最出色的整一、有效的数字中间片解决方案,适合包括从主流的电影制作,后期公司到独立电影和专业的后期机构等广泛的应用范围。   Scratch支持ARRI、KODAK、IMAGICA、Pandora等色彩管理系统,支持1D和3D LUTs,获得胶片到数字的精确色彩控制能力。   Scratch内置了世界上最强大的Speedsix Monster插件,包含其所有特效,并且支持Primatte抠像,可以完成复杂特技。 主要功能包括: 数据中心   SCRATCH有一种新的文件结构和层级结构以独特的行为方式运行数据中心模块,一个项目能够任意套对EDL,或者SCRATCH可以通过CONstruct模块指向本地存储、SAN等。 CONstruct环境   利用CONstruct环境,艺术家可以全面预览他们的项目,项目可以分组和到CONstruct里面,创作工作层级,在不同通道数目中显示序列,比如时间线、镜头通道或者自由组合。CONstruct提供一个直接可视的数据结构和分级设置的描述方式。 数据管理   通过CONstruct,SCRATCH能够简单跟踪组织大量的电影和项目文件,因为SCRATCH是一个数据中心,多产品输出能够产生一些文件,包括故事片、预告片和其他版本,SCRATCH通过对XML的支持,用户能够整合到现有的工作流程以及系统当中,SCRATCH同样提供自动处理大量数据的功能。 预览回放   完全可配置播放器允许回放和预览全部时间线和个别镜头,以单独用户方式控制镜头显示,用户能够同时回放两个镜头,全部是真正的实时2K,不是代理! 套对   SCRATCH能够基于DPX文件头信息套对装配时码,另外,FLX、ATN、ALE或者其他标准的电影剪辑表都能够转换为一个XML文件,SCRATCH能够和用户交互地后台套对,XML能够让用户创建时间线,从SAN复制文件等。 摇移/缩放   SCRATCH支持实时摇移、缩放以及重定格式。 剪辑   在复杂的剪辑时间线获得简单易懂的套对和剪辑功能,剪辑时间线能够简单识别不同镜头分离为片断,比如,你的配光镜头是区别其他镜头的独特特征。 配光   实时2K和4K初级教色,完全10 bit log配光是SCRATCH的主要功能之一,实时电影质量增强工作能力的精确度,提供非常好的最终表现结果,一旦完成,与渲染结果相当,用户能够越过时间线直接得到电影的项目预览。 完全的颜色校正工具允许Gamma调整、lift、增益、偏移、色调、饱和度和亮度,这些工具能够在全画面或者在定义区域交叉应用,自动校正功能允许逆回先前的定义值。 LUT和色彩管理   支持1D和3D LUTs,3D LUTs支持128x128x128非线Color Cube。 SCRATCH同样支持下列色彩管理产品: ——KODAK:KODAK Display Manager System ——IMAGICA:GALETTE Color Managment System ——Pandora:Pogle Color Correction Systems (LUT formats a3d、m3d) 视觉特效   后期处理能够非常容易将特效应用与镜头和编辑过程,甚至在实时回放的时候。SCRATCH特效包括从镜头片断重定格式、比例缩放、重定画幅尺寸、输出格式、裁切和blanking,控制可以自定义特效库。SCRATCH同样提供画笔和压感能力。













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    SCRATCH®


    is the most comprehensive digital cinema imaging and workflow tool for digital post-production workflows. Designed to meet the unique DI workflow challenges of independent and documentary filmmakers, as well as boutique post-production houses, SCRATCH brings together playback, conform, editing, color grading, titling, compositing and finishing into a single, consistent interface that maximizes both creativity and productivity. Hundreds of feature and documentary productions have relied on SCRATCH not only because it was first to support native RED and files, but because it is the only DI tool that offers the quality, real-time performance and breadth of features needed to meet the unique challenges presented by uncompromising quality vs. realistic budgets. SCRATCH in Film benefits: Designed for file based workflows. ASSIMILATE was the first DI partner to natively support RED, so it’s no surprise that SCRATCH is the most mature, reliable tool you can buy for digital workflows. SCRATCH offers a unique CONstruct™ view of your shots supports multiple, side-by-side playback and color grading of any number of formats in any resolution to 5k and beyond - even mix 2D and Stereo/3D. Try an unlimited number of versions without having to render each time. Digital tools for the entire post-production workflow. SCRATCH delivers real-time data management, to dailies playback and review, extremely flexible conform, advanced color grading, unlimited versioning, titling, compositing, finishing and mastering to a variety of formats, SCRATCH is your one-stop solution throughout the entire post-production pipeline. Fast, and highly interactive. SCRATCH delivers the raw performance that inspires a new level of collaboration with your clients. Play and review multi-resolution shots side-by-side and in real-time. Experience incredibly fluid, responsive grading and finishing sessions, and use the time you save to refine your scenes and create the looks that set you apart. Unmatched flexibility. SCRATCH is highly extensible. Seamlessly integrate with other tools in your workflow such as Nuke, extend dailies sessions for remote review and comment or create the kind of automated workflows and client tools that, until now, only the biggest facilities could afford. Mac or PC: same price. Virtually all of the features of SCRATCH are available on either Mac OS® X or Windows 7- at the same price*. You can choose the OS and hardware that best meets your requirements for portability, design or performance/scalability, without the penalty of a different software price. SCRATCH features include: Full resolution support for RED RAW, ARRI RAW, Panasonic, DLSR and all other popular camera formats Featuring unmatched real-time performance and reliability, SCRATCH removes the risk and frees the filmmaker and DP to get the most from a high-resolution digital shoot. REDCODE RAW.r3d (including HDRx) ARRI RAW Phantom SI2K Panasonic P2/MXF and AVCHD Canon 5D Support for the latest RED color science, dual RED Rocket acceleration cards, and RED’s new EPIC camera Full resolution, real-time debayering of .r3d files RedCine and on-camera color settings can be read and manipulated within SCRATH and augmented using SCRATCH's powerful color tools Powerful finishing tools Shot Versioning: SCRATCH CONstruct manage multiple versions of the same 2D or 3D shots within the same timeline for easy comparison Vector paint Subtitling support Apply third-party plug-ins to create a wide range of visual effects Direct Output: Real-time tools for frame-rate conversion, image-resolution scaling and frame-accuracy to monitors, projectors and tape decks using both DVI and SDI interfaces Multiple Deliverables: Create alternate versions in different resolutions, image formats and framing, all from a single source Fast, highly interactive color grading Real-time, non-destructive primary and secondary color grading Heads-up color grading interface and support for Avid Artist Color panel series, Tangent Wave and Tangent CP200 Panels Source-side adjustments for mixed color space workflows Match and auto grading 2D and shape tracking Keying based on Vector, Chroma or Luminance Controls for finessing keys Integrated Histogram, Waveform, Vectorscope and Color Curve views Group shots, copy/paste color grades and reference libraries Key frames and animation curves Import and save 1D and 3D LUTs based on primary color grades High-speed conform and confidence checking No other software offers the range of tools for quickly conforming and checking against a reference clip. Mix-and-match RED.r3d files with ARRI RAW or Phantom (or any other media format recognized by SCRATCH), even Canon DSLR, within the same resolution-independent timeline Dual-View, Half-Mix and Side-by-Side comparison options Quick Keys for moving through a timeline and edit tools for shot manipulation, AAF import and MXF integration Import and export ALE Final Cut Pro XML import Shot log metadata import Metadata search Stereoscopic 3D versioning CDL support Output to multiple file formats such as DNxHD, DPX, ProRes (Mac OS version only) Tiff, JPG, Quicktime, MXF and more Export with timecode and metadata Multilayer timeline Advanced audio sync Broadcast wave support Sync to timecode or clapper Interactive waveform for sync Interactive audio scrub Stereo 3D workflow support Imagine the creativity of a full stereo workflow that provides consistent, intuitive feedback during the conform, color grading and finishing process. Stereo image pairs are automatically linked for versioning and real-time playback to a wide variety of stereoscopic delivery systems Check and adjust stereo with dedicated link and convergence controls Bicubic controls for fixing 3D stereo images Position elements relative to the screen plane Immediately review decisions in stereo Panasonic 3D stereo camera support with automatic stream de-muxing Flexibility and extensibility Future-proof your workflow with an advanced and scriptable XML back-end that allows you to: Automate SCRATCH to maximize productivity Extend SCRATCH via HTML for remote review and comments Integrate SCRATCH via XML with other tools in your workflow such as Nuke Enhance SCRATCH with third party tools via a robust plug-in architecture Built-in SQL database supports a full range of metadata Automate deliverables by designing templates based on output format, metadata and LUTs/grades


    System Requirements


    SCRATCH and SCRATCH Lab are 64-bit optimized for high performance tasks such as, real-time playback, conform or grading of high resolution material. In order to fully enjoy the power at your disposal we recommend minimum levels of hardware. The key components to run SCRATCH at its best are Graphics, RAM and disk bandwidth. Graphics SCRATCH is CUDA accelerated and you should use NVIDIA Quadro 4000-6000 series graphics cards. Always check on the Assimilate support website for which driver to install for your card as not all drivers are tested. RAM You need a minimum of 12 GB of RAM. Storage Whether Direct Attached or SAN storage, bandwidth is a key factor in getting real-time playback performance. For example, if you wish to maintain 2K stereo real-time playback you will need to sustain 1000MB/sec. We recommend a 10 bay internal or external RAID storage for media files. Other Considerations RED r3d Decoding SCRATCH can perform RED r3d decoding at various resolutions and de-bayer qualities to match the real-time performance of your computer hardware. If one, or two, RED Rocket cards are installed, full resolution and premium de-bayer quality of can be achieved (in stereo with two cards). Grading Panel SCRATCH can be driven from Tangent Devices CP200 or Wave and the Avid Artist Color Panel. For PC OS SCRATCH is optimized for Windows 7, 64-bit operating system. Processor Single Xeon i5 or i7 is minimum spec. Recommend dual. PCI-E To add additional cards for SDI, Audio and Red Rocket Cards aim for as many x16 sized PCI-E slots as you can. Monitoring The NVIDIA cards offer dual DVI outputs, and Scratch allows you to configure the second as a full-screen output that will not have the user interface overlaid on it and can be used as a clean feed for projection, client monitoring or output to a tape deck. SDI For SDI monitoring and SDI playout you should purchase the SDI daughter card for the NVIDIA. This card has two BNC connections that can be configured as a single or dual link SDI output, and one video monitoring output as well as a BNC connection for external sync signals. Audio Stereo monitoring is available via the on-board audio (speaker) output. For “advanced” monitoring, including multi-channel audio, and playout to tape a professional audio card like the Lynx AES16e or a combination SDI/Audio card such as the BlueFish can be used. If you have purchased the NVIDIA SDI daughter card, there is no need for an additional audio card, as the SDI option also gives you embedded audio. 代码 ÜÜÜÜÜÜ ÜÜÜÜÜÜ Û°ÜÜÜÛ ÛÛÛÛÛÛ ÜÜÛÛÛÛÛÛÛÛÛÛÛ Û±ÛÛÛÛ ÛÛÛÛÛÛ ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛ Û²ÛÛÛÛ ÛÛÛÛÛÛ ÞÛÛÛÛÛÛßßßßßßßßß ßÜÛÛ ÛÛÛÛÛÛ ² ÛÛÛÛÛÛ ÛÛÛÛÛÛÜÜÜÜ ßßßßßßßßÛßß ß ß ß ß ßßÛÜß ÜÛÛÛÜ ßÛÛÛÛÜÜÜÛÛÛÛß ÜÜ ÛÛÛÛÛÛÛÛ ÜÛÛÛÛÛÛÛÜ ÛÛÛÛÛ ÜÛÛÛÜ ßÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÜ Ü ßÛÛß ÜÛÛÛÛßßßÛÛÛÛÜ ßß ÛÛÛÛÛßßß ÛÛÛßßÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛßßßß ÛÛÛßßßßß Ûß Ü ÜÛÛÛ ÛÛÛÛÛÛ ² ÛÛÛÛÛÛ ÛÛÛÛÛÛ ÛÛÛÛÛ ÛÛÛÛÛ ÛÛÛÛÛßÛÛÛÛÛß ÛÛÛ Û ÛÛÛÛÛÜÜ ÜÛÛÛÛÜ ÜßÛÛ ÛÛÛÛÛÛ ± ÛÛÛÛ²Û ÛÛÛÛÛÛ ÛÛÛÛÛ ÛÛÛÛÛ ÛÛÛÛÛ ßßß ÜÛÛÛÛ ß ÛÛÛÛÛßß ßÛÛÛßÜ ÛÛÛÛÛÛ ÛÛÛÛ±Û ÛÛÛÛÛÛ ÛÛÛÛÛÜÜÛÛÛÛÛ ÛÛÛÛÛ ÛÛÛÛÛÜÜÜÜ ÛÛÛÜÜÜÜÜ ÛÛÛÛÛÛ ÛÛÛÛ°Û ÛÛÛÛÛÛ ßÛÛÛÛÛÛÛÛß ÛÛÛÛÛ ßÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛ ÛÜÜÜÜÛ ASCii P R E S E N T S ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ³ ³ ASSIMILATE SCRATCH VERSION 6.1.723 - WIN64 - ³ ³ ³ ÀÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÙ ³ Type..........: DIGITAL SOLUTION ³ Packager......: TEAM XFORCE ³ ³ Publisher.....: ASSIMILATE INC ³ Cracker.......: TEAM XFORCE ³ ³ Supplier......: TEAM XFORCE ³ Release Date..: JUL 15 2012 ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÙ ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ Release notes.. ³ ÀÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÙ ³ ³ ³ ³ ³ ³ ³ One small step for man. One extraordinary leap for artists. ³ ³ The only way to do it. The only ones who could do it .... ³ ³ XFORCE keygened Scratch 6.1 .... Smoking the competition .. ³ ³ ³ ³ --------------------------------------------------------------------- ³ ³ SCRATCH is the most comprehensive digital cinema imaging and workflow ³ ³ tool for digital post-production workflows. Designed to meet the ³ ³ unique DI workflow challenges of independent and documentary ³ ³ filmmakers, as well as boutique post-production houses, SCRATCH brings ³ ³ together playback, conform, editing, color grading, titling, ³ ³ compositing and finishing into a single, consistent interface that ³ ³ maximizes both creativity and productivity. ³ ³ ³ ³ ³ ³ ³ ³ ³ ³ ³ ³ http://www.assimilateinc.com ³ ³ ³ ³ ³ ³ ³ ³ ³ ³ INSTALLATION: ³ ³ ------------ ³ ³ ³ ³ 1. Unzip & Unrar, check Crack/install.txt ³ ³ ³ ³ 2. Enjoy it ³ ³ ³ ³ ³ ³ ³ ³ ³ ³ When so many groups bring you crap fakes non-working, X-FORCE always ³ ³ gets you the Best of the Best. ACCEPT NO IMITATION ! ³ ³ ³ ³ X-Force 2012! ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÙ ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ Group News & Greetings.. ³ ÀÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÙ ³ ³ ³ OUR DiAMONDS-4-EVER GREETiNGS MUST GO TO : ³ ³ ³ ³ All our OLD friends ... and to all our fans ³ ³ ³ ³ ³ ³ ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÙ [----------------- X-FORCE 2012 SMOKING THE COMPETITION --------01/01/12-]

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