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Pro Tools的混音和母带制作视频教程(Lynda.com Pro Tools Mixing and Mastering)[光盘镜像]

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发表于 2021-8-16 13:26:19 | 显示全部楼层 |阅读模式
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    资源信息:



    中文名


    : Pro Tools的混音和母带制作视频教程


    英文名


    : Lynda.com Pro Tools Mixing and Mastering


    资源格式


    : 光盘镜像


    主讲人


    : Brian Lee White


    发行日期


    : 2012年3月30日


    地区


    : 美国


    对白语言


    : 英语


    文字语言


    : 英文


    概述


    :



    语言:英语 网址:http://www.lynda.com/Pro-Tools-tutorials/Pro-Tools-Mixing-Mastering/95249-2.html 类别:教程 Lynda.com 出品的时长9小时13分钟的Pro Tools的混音和母带制作视频教程。录制和编辑后的Pro Tools混音和母带制作的培训,采取优势,完善最后的混合和项目为主。 认证专家和混音工程师Brian Lee White 介绍了所有基本的混合工具,本课程强调创造了坚实的混合计划,并成立工作室开始之前在Pro Tools中的重要性。在整个过程中,Brian Lee White 超过十年的专业混合,帮助你成为一个更好的调音师。 ProTools是Digidesign公司出品的工作站软件系统,最早只是在苹果电脑上出现,后来也有了PC版。ProTools软件内部算法精良,对音频、MIDI、视频都可以很好地支持,由于其算法的不同,单就音频方面来讲,其回放和录音的音质,是大大优于我们现在PC上流行的各种音频软件的。







    Topics include: What is mixing? Exploring the past, present, and future Mixing “in the box” Setting up monitors and ensuring proper acoustics in the studio Staying organized with labels, memory locations, and window configurations Working with the Pro Tools Mixer Building healthy and profitable mixing habits when putting together a final mix Using volume and pan to balance the mix Employing corrective versus creative EQ strategies to create clarity and contrast Knowing when and when not to process the audio of a track Working with compressors and dynamics processors Using saturation effects to capture an analog-type sound Adding reverb and delay to create depth in a mix Working with limiting and multiband compression during the mastering process Dealing with plug-in delay and latency in a mix Using the bundled plug-ins in Pro Tools to add clarity, punch, and width to a mix Recording and editing automation to add drama and excitement Using clip based gain to control headroom and gain staging =======================================


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    =======================================


    目录


    : Introduction Welcome 01m 06s What is mixing? The past, present, and future 04m 38s Exploring strategies for mixing and mastering 05m 47s Using the exercise files 01m 17s 47m 04s 1. Preparing to Mix Mixing "in the box" 04m 45s Setting up the studio: monitors 06m 24s Setting up the studio: acoustics 06m 42s Staying organized: labeling tracks and clips 11m 42s Staying organized: memory locations and window configurations 09m 28s Managing system resources during mixdown 08m 03s 48m 42s 2. Working with the Pro Tools Mixer Introducing the Pro Tools mixer 03m 19s Understanding mixer signal flow 03m 55s Using inserts and plug-ins 08m 54s Working with plug-in settings 05m 57s Using sends and creating effects returns 09m 05s Submixing with aux tracks 06m 04s Using groups while mixing 05m 32s Using master faders effectively 05m 56s 18m 12s 3. Mixing Tools and Strategies Conceptualizing the mix and making a plan 06m 17s Adjusting volume and pan to balance the mix 07m 49s Knowing when to process: mix problems vs. mix solutions 04m 06s 43m 54s 4. Understanding and Using EQ (Equalization) Understanding the mechanics of sound 03m 21s Learning the basics of EQ: frequency-specific level control 03m 03s Using DigiRack EQ 3 06m 42s Exploring EQ strategies in mixing: correcting vs. creating 07m 19s A working example: kick drum and bass 08m 22s A working example: filtering loops 06m 02s Exploring mixing tips and tricks: EQ 09m 05s 01h 23m 5. Understanding and Using Dynamics Processors Understanding dynamics and dynamic range 01m 48s Working with dynamics processors 02m 41s Using the DigiRack Dyn 3 compressor/limiter 08m 36s Balancing and shaping track dynamics 02m 42s Using gates and expanders 08m 26s Using de-essers to eliminate sibilance 06m 52s A dynamics workflow example: vocal 12m 21s A dynamics workflow example: drums 12m 19s Exploring mixing tips and tricks: dynamics 10m 11s Building parallel, or upward, compression 07m 40s Reviewing dynamics concerns: How much is too much? 02m 45s Using Avid Channel Strip 07m 26s 59m 21s 6. Mixing with Reverb, Delay, and Other Time-Based Effects Using time-based effects to add depth and width 03m 49s Exploring DigiRack D-Verb 15m 48s Using the DigiRack delays 11m 10s Mixing with reverb 11m 28s Mixing with delays 10m 40s Exploring mixing tips and tricks: creating mix depth 06m 26s 15m 14s 7. Introducing the Pro Tools Creative Collection Working with the Creative Collection 07m 18s Building distortion and saturation 07m 56s 56m 48s 8. Automating the Mix Understanding automation 04m 10s Recording real-time automation moves 09m 00s Viewing and editing automation 13m 12s Using clip gain 09m 59s Automating plug-ins 09m 34s Exploring automation strategies for mixing 10m 53s 39m 22s 9. Putting It All Together Understanding the characteristics of a great mix 06m 23s Working with a reference track 07m 51s Avoiding common pitfalls 10m 59s Building healthy mixing habits 03m 23s Crafting your mix from start to finish 10m 46s 01h 06m 10. Mastering in Pro Tools Understanding mastering 05m 13s Working with general mastering strategies 09m 16s Using limiting and compression to maximize track level 12m 06s Working with multiband compression 05m 34s Bouncing the mix 08m 04s Understanding sample rate, bit depth, file formats, and dither 09m 00s Metering with the DigiRack Phase Scope 07m 46s Compressing audio for the web 10m 00s 01h 19m 11. Additional Topics Evaluating plug-in processors 06m 03s Using saturation and other analog-style effects effectively 11m 45s Setting up side-chains 07m 27s Master bus processing 11m 06s Creating and using mix templates 10m 35s Dealing with plug-in delay and latency 12m 28s Drum sample replacing 12m 59s Setting pan depth in Pro Tools 06m 39s 00m 21s Conclusion Thank you and goodbye 00m 21s 代码 .do–"""""'–o.. * .o"" "".. *** ,,'' ``b. * d' ``b d`d: `b. *** ,,dP `Y. *** d`88 `8. ** 8`88' `8 ** Y:d8P 8, ** P,88b ,`8 ** ::d888, ,8:8. ** dY88888 `' :: ** 8:8888 `b *** * Pd88P',... ,d888o.8 *** :88'dd888888o. d8888`88: ,:Y:d8888888888b ,d88888:88: :::b88d888888888b. ,d888888bY8b ***** * ** b:P8;888888888888. ,88888888888P ****** ** **** * 8:b88888888888888: 888888888888' ** * * ** **** 8:8.8888888888888: Y8888888888P * * * ** * * YP88d8888888888P' ""888888"Y * * ** * :bY8888P"""""'' : ** ** ** * 8'8888' d ** ** ** * :bY888, ,P ** ** ** * Y,8888 d. ,– ,8' ** ** ** * `8)888: ' ,P' ** ** ** * `88888. ,... ,P * ** *** `Y8888, ,888888o ,P * *** Y888b ,88888888 ,P' **** ** `888b ,888888888 ,,' * ***** `Y88b dPY888888OP :' * ** :88.,'. `'` p * )8P, ,b ' . ** :p d,'d`b, ,8 . dP' d8': , '8P" d8P' 8 – p ***** d,' ,d8' '' : ****** iNK H0RN Presents .. d' 8P' d' '; ** * * ** ,: `' d p. * * * **** * ,dooood88: , ,d `` `b. * * **** .o8"'""""""Y8.b 8 `"'' .o' ` """ob. ** ** * ** dP' `8: K dP'' "`Yo. ** ** * dP 88 8b. ,d' ``b ** ***** 8. 8P 8""' `" :. ** ** *** :8: :8' ,: :: ** ** *** :8: d: d' :: * ** *** :8: dP ,,' :: * *** `8: :b dP ,, :: **** *** ,8b :8 dP ,, d * ***** *** * :8P :8dP d' d 8 * *** *** :8: d8P d' d88 :P * d8' ,88' ,P ,d888 d' ** 88 dP' ,P d8888b 8 ,8: ,dP' 8. d8''88' :8 :8 d8P' d88b d"' 88 :8 d: ,d8P' ,8P""". 88 :P 8 ,88P' d' 88 :8 ,8 d8P 8 Rls Date : 05/04/12 88 :8 d: 8P ,: Type : Bookware :88 :8 8',8:,d d' Supplier : iNK H0RN :8: :8 ,8,8P'8' ,8 Disks : 1 DVD 8' :8 :8`' d' d' Archive : i–lynptmam 8 p: `8 ,P :8 # Files : 42 x 50 MB :8: p: 8, ` d8. :8: 8: :8 d88: d8: 8 `8, d8888 88b 8 88 ,d::888 888 Y: YK,oo8P :888 888. `b `8888P :888: ,888: Y, ``'" `888b :888: `b 8888 888: :: 8888: 888b Y. 8888b :888 `b 88888. `888, Y dPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPd : Lynda.com – Pro Tools Mixing and Mastering PdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdP : DESCRIPTION After recording and editing a session, take advantage of the lessons in Pro Tools Mixing and Mastering to refine the final mix and master of your project. Avid Certified Expert and pro mix engineer Brian Lee White covers all the basic mixing tools that every producer and engineer should know, from using EQ to add clarity and focus to applying compression and limiting to control dynamics and maximize track levels within a mix. The course stresses the importance of creating a solid mixing plan and setting up the studio before beginning any work in Pro Tools. Throughout the course, Brian lends his insights, inspirations, and studio secrets from over a decade of professional mixing to help you become a better mixer. Topics include: What is mixing? Exploring the past, present, and future Mixing ôin the boxö Setting up monitors and ensuring proper acoustics in the studio Staying organized with labels, memory locations, and window configurations Working with the Pro Tools Mixer Building healthy and profitable mixing habits when putting together a final mix Using volume and pan to balance the mix Employing corrective versus creative EQ strategies to create clarity and contrast Knowing when and when not to process the audio of a track Working with compressors and dynamics processors Using saturation effects to capture an analog–type sound Adding reverb and delay to create depth in a mix Working with limiting and multiband compression during the mastering process Dealing with plug–in delay and latency in a mix Using the bundled plug–ins in Pro Tools to add clarity, punch, and width to a mix Recording and editing automation to add drama and excitement Using clip based gain to control headroom and gain staging http://www.lynda.com/course–tutorials/Pro–Tools–Mixing–Mastering/95249–2.html PdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdPdP Interested in joining iNK ? 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