Stillwell Audio效果器插件 Stillwell Audio All Plugins VST v1.52.05[压缩包]

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资源信息： 中文名: Stillwell Audio效果器插件 英文名: Stillwell Audio All Plugins VST 资源格式: 压缩包 版本: v1.52.05 发行时间: 2009年 制作发行: Stillwell Audio 语言: 英文 概述:

官方网站 http://www.stillwellaudio.com/ Stillwell Audio效果器插件包

Stillwell Audio Plugins Bundle VST v1.52 Full Written with sound quality and ease of use a priority, allof our plugins are 64-bit internal processing. If your hostis VST 2.4 capable, well accept and pass on 64-bitdouble-precision audio streams. If you have a host that isonly 32-bit capable, well still give you as much precision as possiblet Get it now Full. Bundle list: 1973 The Neve 1973 is probably one of the best large-format console channel modules ever made. Punchy, detailed it was almost impossible to make it sound bad for its time. Lets not debate about large chunks of iron and wax/paper versus electrolytic capslets talk about the sheer genius involved in picking the proper EQ frequencies, bandwidths, and slopes. reducing them down to their essence then making it utterlytransparent and smooth. Bad Buss Mojo How to describe this? Well, I guess well just settle for this: sometimes digital is just TOO perfect. Im not going to say sterile or lacking soul, because Id wind up eating my words sooner or later but sometimes you just want a little grit a little dirt a little imperfection. Thats where Bad Buss Mojo comes in. Bad Buss Mojo allows you to dial in specific tweaks to a virtual mix buss amplifier. Is the rail a little low? Dial it in PSU not quite as stiff as it could be? Dial in a bit of knee in the bend. Old-school transistors or even gasp tubes? Dial in some nonlinear modulation. Itll go from I cant hear that youve done anything, but I like it all the way up to Why did you run my mix through a guitar amp? Highly recommended (the plugin, not running your mix through a guitar amp) Bitter, baby. A 64-bit bitscope and intersample clip indicator for your cost-free enjoyment. Dyno Hum! A threshold-driven dynamic envelope editor. A radically new way to gain total control over dynamics: its a transient designer, compressor, expander, sound designer, and more. Adjust an intuitive graphical detection circuit to capture transients and waveform peaks, and draw high-order Bezier curves to edit peak dynamics. Use Dyno for anything from adding a little snap to a snare drum or a little sizzle to a cymbal, to morphing a bass line into a crazed rhino pump. All in real time, with amazingly low CPU use. Event Horizon Event Horizon is a Peak-Eating Limiter huh? Well, maybe a better description is that its a clipper with an optional soft-clip circuit. By truncating waveforms short of where the DAC would go into clipping, you can get VERY transparent loudness increases; unlike most limiters, Event Horizon does this with ZERO pumping, ZERO transient or frequency artifacts, and with ZERO latency. Now, it may not let you be louder than the latest flavor of the month mastering limiter, but within its range of operation, you WILL get an unsurpassed natural sound. Its output is what comes into it only louder. If you push it too hard, it will tell you in no uncertain terms that this is no longer the right tool for the job. Give it a try its fantastically easy to use, and it sounds great! Major Tom MajorTom is not your ordinary compressor, no sir! It was designed with very specific goals in mind, and blew completely past them. We like Major Tom can you tell? Major Tom is intended to be easy to use: there are no attack and release controls the values vary depending on the level of the signal relative to its threshold. These values are very finely tuned to make it as musical as possible, without requiring a wall full of gold records to hit the right settings. The attack/release settings are inspired by one of the true stealth vintage compressors, the dbx 160. You may not hear about it much, but youve heard it on records time and time again. Musicality: Thats the second key. Major Tom WILL pump, but it should do so in a musical, rhythmic manner. Put it on vocals gently for smoothing nice. Put it on bass, but dont go overboard buttah. Put it on drums and go berserk SMACKIN MicroSchope MicroSchope is a pleasant little VST plugin that may offer you some usefulness while using very little CPU or screen space. Enjoy! Olga Olga is a virtual analog synthesizer unlike any other, designed from first principles to be distinctive. Imagine a handmade experiment from an unlikely place, a synthesizer so full of life and character that it earns the right to be called a musical instrument. Olga encourages risk, experimentation, and exploration, and rewards you with unexpected and exciting sounds, vibrant and human. This is the dusty gem you could spend your life searching for. Bezier Antialiased Dynamic Analog Synthesis System: Olga uses a truly new approach to DSP waveform generation to emulate glorious analog imperfection. Olgas free running oscillators are in a constant state of structured variability, a deeply musical instability, free of aliasing artifacts and light on your CPU. Oligarc Oligarc is a collection of four world class virtual analog FX, tied together by a modulation nerve center that converts the input audio into control signals that can be routed to most of the effect knobs. Oligarc can be an LFO-driven filter, an envelope-controlled phaser, a gate-triggered saturation effect, or anything else you can think up, including mad combinations of linked modulation of multiple effects at once. Oligarc Filter The Oligarc Filter is a sophisticated emulation of a classic analog ladder filter, complete with nonlinearity, instability, character, good looks, and danger. Psyco Dither Gods Own Dither. A breakthrough adaptive algorithm reacts in real-time to the signal audio to preserve the maximum possible dynamic range at any bit depth. Select a dither color and dial in psychoacoustic noise shaping power to choose exactly the right hardness or softness for your final renders. The Rocket The Rocket is a character audio compressor, singular in its extraordinary speed, responding in mere microseconds to variations in program level. Being in the order of several thousand times faster than most ordinary compressors, we respectfully submit that The Rocket kicks like a mf. Violation of the laws of physics and digital signal processing remain beyond us at this time, and a single sample at 44.1kHz has a span of 22.6 microseconds. The Rockets attack time can be below this level, for absolute certainty that even the very first sample understands that you are its master. Placed on the master bus, The Rocket will effortlessly tame transients almost in the manner of a brickwall limiter. Schope A multitool, multiview, multichannel waveform, frequency, and stereo phase analyzer that lets you superimpose and view multiple audio signals from every dimension. Isolate and zoom in on exactly the part of the signal you want to see. Freeze the display and use the time offset knobs to visually scrub frequency changes. Sculpto Draw Bezier curves over your audio waveform to create envelope shapes to follow or clip to. Clean errors, sharpen transients, or design entirely new sounds. All in real time, with amazingly low CPU use. Spectro An intuitive, real-time spectral editor. Draw boxes to add or subtract gain, mute, or solo specific frequency ranges. Clean up accidental room noise, remove harmonic bleed, perform surgical EQ, de-ess, or get creative and combine additive filters for some truly wild effects. It can be anything from a scalpel to a bludgeon. All in real time, with amazingly low CPU use. TinMan TinMan is an auto-peaking resonant filter with multiple pitch detection and individually triggered attack/decay envelopes. In other words, it listens to your audio and makes matching spooky wooo-eeee-oooo effects. Transient Monster This is simplicity itself. It will save your drum mixes. Two controls: Attack, and Sustain. I would explain more, but you knowI really dont have to. Put it on your drum buss. Turn the knobsyou WILL understand, and you will thank me later. Okay, okayhave you ever had a drum performance that was REALLY laying down the groove, but the recorded drum sound just didnt SNAP? Turn up the attack. Need those ride cymbals to really ring instead of just dying down into the mush? Turn up the sustain. Too much bleed and ring getting into your drum tracks? Turn DOWN the sustain. See? I knew I didnt really have to explain it to you. Verbiage Before convolution reverbs, there were Lexicon, Yamaha, Eventidehmm. Seems like all the REALLY good reverbs were around way before everybody got the convolution bug. This isnt a convolution reverbits an algorithmic reverb put together the old-fashioned wayfrom your basic ones and zeroes. Its extremely controllable (try changing the room size and damping of your average reverb impulsedoesnt work, does it?), and very flexible. Separate control over early and late reflections, stereo or mono in (input mix), stereo or mono out (width), flip wet output channels for cross reverb (very cool for panning mono instruments and letting them fill a space without getting overly wet), high-pass filters, gatingits all there. This is NOT the reverb you would use to emulate a physical space (thats what convolution reverbs excel at), but this is a true gem for sweetening tracks with reverbadding that special shimmer to tracks that you cant really get any other way. Vibe-Eq This is one of those mythical plugins that makes things sound better just by plugging it in. Really. Unlike 1973, which is a very pristine EQ plugin (but a VERY good EQ, all the same), Vibe-EQ is all about color. The more boost or cut you dial in, the more color and funk you get. This may not be your go-to EQ every time, but youll wind up using it more often than youd expect. 之前将此资源与Blue Cat's All Plug-ins Pack混淆,导致介绍文本出错,特此向各位驴友致歉! ====资源链接已经更新,并更新了注册机==== HTTP下载 Rapidshare: http://rapidshare.com/files/227641328/Stil...AiR-.rar Blue Cat's Freeware Plugins Pack官方免费产品"100% free!" 下载

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